Tuesday, February 3, 2015

Margaux Ogden goes 'Down the Rabbit Hole' in new Chelsea gallery show

The Freight + Volume gallery in Chelsea is currently presenting a collection of new works by Margaux Ogden for the exhibition Down the Rabbit Hole. For her first show at the gallery, Ogden unveils some rather imaginative drawings and paintings where she is not bounded by rules or convention. The title of the show references the alternate universe that Alice, the heroine in Lewis Carroll’s classic novel Through the Looking Glass, enters into where she encounters new and unusual creatures and characters.

With these works, Ogden creates her own language with her use of color, hieroglyphics, and other objects and symbols that have personal meaning to her. One notable painting titled Desert Anxiety revolves around the uneasiness of being alone and depicts an empty home where purple and blue are the dominant colors to represent fear and loneliness.

Another painting known as Thank You For The Sex is a lot darker where black is the dominant color and also includes navy blue, different shades of green, and magenta. Many abstract symbols are seen in the image, including a woman’s face with dollar signs on it, and other random snatches of text that read things like “Friday the 13th,” “omg,” or “Thank you for the sex.”


"Desert Anxiety" (2014) by Margaux Ogden

 Ogden has said that she is a fan of stand up comedy, which has inspired her to bring a personal narrative to her work. “I think that it is because of comedy that I have started adding the personal narrative to my own work."  

In a recent interview with Craig Drennen (an artist himself), Ogden said, “I’ve started taking personal notes, scribbles, symbols, and drawings from my day-to-day life and including them in the paintings.  It has allowed me to be honest and direct to the viewing audience in a way that feels new to me. In stand up comedy it is really amazing how timing and space can change a joke. Even one word can change everything. I find painting and comedy really similar in that sense.  There is a lightness and looseness in this provisional moment that gets to the essence of painting, without looking overtly laborious.” 

At Freight+Volume, 530 W. 24th St., through Feb. 28. The gallery is open Tues.—Sat. from 11 a.m.—6 p.m.