Martin Soto Climent: Temazcal at Michael Benevento, installation view, 2018. Images courtesy of Michael Benevento.
The exhibition begins with a large projected slide show of 515 black and white images where the viewer gets a glimpse of the daily life of Don Pedro, a spiritual healer whose humble way of living was the inspiration for the show. The exhibition continues with numerous objects including a charred wooden egg (“Moonlight,” 2018), a cascading hide of black feathers (“Dark Flame”, 2018) a burnt upturned dragon sculpture (Serpiente Emlumada, 2018), a half-burnt bundle of leaning sticks (Flechazo, 2018) and the artist’s signature stretched tights compositions on a charred black wooden frame (Cacoon for a Dragon, 2018.) The last part of the exhibition features a gold leafed pot (Secreto, 2018) given to Soto Climent by Don Pedro. This charred metal pot was used to hold treasure buried within the Temazcal ceremony. Across from the pot, on the opposite wall is a mesmerizing video of a fire burning (La Puerta, 2018) where loud noises of animals and twigs crackling can be heard. The noises reverberate throughout the room and engulf the entire exhibition.
Martin Soto Climent: Temazcal at Michael Benevento, installation view, 2018. Images courtesy of Michael Benevento.
Soto Climent is best known for his surrealist manipulation of images and objects. His practice refers to the forms of the body and the psychology of desire embedded within a consumer based economy. For Soto Climent this psychology extends into the spiritual realms of being. Temazcal articulates the energies that connect the spirit to material form.
Soto Climent lives and works in Mexico City. His work has been featured in many exhibitions around the world including the Frieze Art Fair in London in 2016.
At , 3712 Beverly Blvd, Los Angeles, through Mar. 17. The gallery is open Tue.-Sat. from 10 a.m.-5 p.m.
Mother, 2018, Leather, charred wood, 12.5 x 8.125 x 5.375 inches.
Flame, 2018, bird wing, candle, glass vitrine, wood plinth, acrylic, 16 x 7.5 x 7.75 inches.
Moon light, 2018, charred wood, wood plinth, acrylic, 7 x 2.75 x 8 inches.
Martin Soto Climent: Temazcal at Michael Benevento, installation view, 2018. Images courtesy of Michael Benevento.
Alison Martin

ALISON MARTIN

ALISON MARTIN ALISON MARTIN IS A LIFELONG RESIDENT OF NEW YORK CITY. SHE LOVES TO WRITE AND IS VERY PASSIONATE ABOUT COVERING THE TOP CONTEMPORARY ART EXHIBITS IN NEW YORK CITY AND ALL OVER THE WORLD.